First 5 Star Review!

Join the Review Club at Ruffin Dorm, UNC-CH!

There comes a time in every author’s life when the first review comes in. Mine was June 3rd, 2011. That was the day when Valentina at Carabosse’s Library posted her review of my book, TENDERFOOT.

Let’s see if I can do proper justice to that moment: my hands trembled as I read it. She loved the book! I was vindicated! Somebody got it. I might have a real shot at this book writing stuff! Who knew! I could say I did, but hey, let’s be honest here. I hoped. We all hope. This is the kind of review that vindicates an author and their vision, hopefully even my writing. Glory!  And then I did my little Sally Fields victory lap jabbering at the cat, the disinterested children, the plants, the paint drying on walls next to my computer. It was a fine, fine moment.
Naturally, I sent her an email almost immediately where I gushed with appreciation. I really should post it on here, but even I have hit my threshold for embarrassment!
After I emailed the link to my husband and my parents, I had second doubts. Was the book that good? I checked another review Valentina wrote after mine. This book did not pass muster. Hooray! She’s wasn’t lying to me! I could believe wholeheartedly in my little project! Because no matter what anyone says after this, I have one fan! One true fan! In the end, isn’t that all any author needs to keep going?
In any case, go see what Valentina had to say at Carabosse’s Library. No really, click that link! The least I can do is send her some traffic as a thank you. FYI, Valentina posts new content daily, her book review blog is well-organized, and the graphics are pretty cool. It’s a great blog.
In closing, I hope her review of TENDERFOOT will make you feel warm and fuzzy too! 

Terry Moore’s Francine Has Read Tenderfoot!

An original sketch by Terry Moore, owned by Trevor Tupper. June 2011

Money can’t buy love.

This axiom is repeated everywhere: books, songs, movies.

However, money can buy a really awesome gift for your wife. And what better way to show your writing-obsessed wife who has suddenly stopped doing the necessary tasks of life like feeding you or bathing the kids (we won’t mention the cleaning of the house), you support her 100% on whatever path “the book” takes her down than buying an original sketch that ties together the two awesome worlds of Strangers In Paradise and TENDERFOOT, straight from the man himself, Mr.Terry Moore?

Well, this wife is convinced there exists at least one true fan – my poor suffering husband! Today is 1 year to the day that my brain was taken over by Jules, Nick, and Andrew. And how cool is this sketch?

There sits Francine, one of Terry Moore’s famous characters from Strangers In Paradise, reading a book. What book is that? Why, it’s TENDERFOOT! And yes, she really is making a comparision between my troublemaking character Nick, and Freddie, her boyfriend/ex-boyfriend/frenemy. Gotta love it!

Feel free to click on the link to admire the picture up close. See all the awesome reviews on the back of my book? The hilarious cover of Twilight? Even Jules pendant?

My husband is a HUGE fan of Terry Moore and has been for the longest time. I have to say, now I am too. Thanks so much to Terry for humoring my wonderful husband!

Meet Jules Jennings, International Student


American School of Paris Yearbook, 1987


Early in the process of writing TENDERFOOT, Jules’ back story needed to be imagined. Where was she from? What was her life like there? What impact did it have on her character and behavior?

If you’ve read my bio, and I’ll assume you have, you may have noticed a few similarities between Jules’ background and mine. We both lived as Americans abroad in Paris, France, attended international schools teaching American academics, are from families that place a heavy emphasis on travel, and have a world view a bit outside of the mainstream.

Why do Jules and I share this background? There are several reasons. But first, I will define the term “international student” as it is used in the book:

An international student is a child of school age (not post-secondary) who moves with their family from a place they consider “home” to another country.

  • While the student has left behind extended family, friends, and community, they continue to live with their nuclear family.
  • The international student has a place and culture they identify with and which they consider “home,” but it is not where they live. For the purposes of this book, the home country is the United States and its culture. Pearl S Buck, while an American ex-patriot, would not count in this definition because she was raised in China and self-identified with China, not the United States.
  • Frequently, the international student moves more than once to another country and there is set time or place for the next move. This makes the future uncertain.
  • This definition stands in contrast to students who visit another country and attend school for one school year while living with a foreign host family.

Here are the reasons why Jules is an international student:

Write about what you know.

  • It’s a common rule of thumb for writers. I’ve lived through the experience of being ripped up from one culture and plunked down in another. Got that one down cold.

The international student experience is relatively unknown.

  • If someone knows of another book where the main character is an American who has lived abroad as a teen, I’d love to read it! Please leave a note in the comments.

In the United States, the international student experience usually is thought of as students from other countries coming to America for a school year in high school as opposed to American students leaving the country with their families.

  • This assumption provides an opportunity to flip the meaning and make it something unique.
  • As this is a rare experience, it is something new to share with readers.

The international student experience is interesting.

  • With a unusual situation comes unique opportunities. During the three years I spent at the American School of Paris, I visited the U.S.S.R. on spring break, went with two grades of students to Ullswater, England to attend Outward Bound, and performed on choir/band trips with students from other international schools in West Berlin, Frankfurt, and Vienna. The trips I missed? Ski trips every February to the Alps, sports trips all over Europe for competition, and a spring break in North Africa. These were just the school trips. My family traveled Europe extensively the three years we lived there. Opportunities abound for the exploration of other cultures.
  • More nationalities than Americans attend international schools: I had friends from all of the Scandinavian countries, France, Spain, various Arab countries, and a sprinkling of others. The funny thing was, as different as our native cultures were, we formed strong bonds with each other because of the us vs. them mentality: the internationals speaking English versus the French!
  • As a teenager, having access to a transportation system as comprehensive as that of Paris is very cool. The students at my school ran all over town on weekends, frowning at the embarrassing American tourists in their white sneakers and fanny packs. (It was the ’80s.) We didn’t have to be sixteen years old with a driver’s license and access to a car to get away from our parents. I was thirteen when my parents let me take the metro to meet friends on the Champs-Elysees to see an (always American) movie. This type of freedom is unusual and liberating.

The experience of the international student applies to military brats but in a different way.

  • While I was a pseudo-military brat, I never lived on a military base like the kids I saw when we went shopping for American goods on base at Ramstein, Germany or SHAPE, in Belgium. I believe their experience is different from the one experienced by international students because in these military towns, the students do almost all of their socialization on base. Schools and shopping are usually located on base, so these students have less interaction with the native community.

Parental and societal expectations are different in the international community.

  • There is both the internal and external pressure on a student to succeed – and to succeed at a level that is equal or higher to the parents’ success. This can be a tall order when the parents are given pay and responsibility commensurate with a job working abroad. As students, we were expected to not only attend college but to attend a great college. We took International Baccalaureate and Honors classes and were expected to bring home good grades. The internal pressure came from trying to measure up and find a way in the world that would allow us to live this kind of lifestyle on our own.
  • Other cultures live by different rules of law and teenagers like to push boundaries. This equals potential diplomatic incidents. For example, if your kid gets arrested by the French police, there is no phone call home, plus they can hold you as long as they like, releasing you only when they have something worked out with your Embassy/Consulate. The ramifications could be huge. Being a teenager abroad poses different challenges than found in the United States. My mother happily repeated the stories of the (few) kids who experienced these ramifications to keep me in line. It worked.
  • In line with following local laws and customs, international students receive greater responsibility at a younger age than peers back home. Was I running around Paris at age thirteen? Yes. Was I expected to be home on time, not get mugged by the Gypsies, stay with my friends at all times, and to keep a distance from suspect individuals? Yes. I was forced to learn and use French and understand the laws and customs of the French, and in doing so, learn about the larger world.
  • Living within the French community, we made friends with multiple families in our French apartment building. We held open house parties for our French neighbors and attended their dinner parties. One family was kind enough to invite us to their summer home for a week in southwest France. While speaking French with them for a week was difficult, it was worth the struggle. Getting to experience another culture full-time is an amazing opportunity.

Finally, the most important reason for while Jules is an international student: the development of backstory is enhanced by drawing on rich cultures.

There are three types of cultures intersecting in TENDERFOOT; a public university in the American South, the cultures of France and Sweden, and the world internal students. All of these cultures add to the story.

  • Jules has lived in Manhattan, Paris, and Stockholm. The moves were traumatizing to her. She finds the campus at UNC-Chapel Hill warm and welcoming and chooses it because it is a place where she feels safe… for a time.
  • Jules’ family has extensive roots through her mother’s side in Sweden and much of her backstory is provided by the modern-day culture and folklore.
  • Manhattan, New York, is a popular location for setting movies and TV shows. It is Jules’ home base because most readers will be able to picture living there and what that is like.
  • Paris, France, because again, it’s something I, as an author, know something about and can impart to the readers.

These rich cultures provide Jules with several personality traits:

  • She is not afraid to pick up and move on, but she loathes it.
  • She has a larger understanding of the world than her peers. Her friends Jade, Jenny, Michelle, and Priya act as controls.
  • She is quick to spot danger because of her upbringing.
  • She clings to the familiar.
  • She is a people-watcher and likes to figure out people’s motivations.
  • She always feels like an outsider.
  • She’s developed enough adult distrust of the world that she questions everything and uses sarcasm as a defense.
  • She’s always moving somewhere new, i.e. always a Tenderfoot.

I hope you enjoyed my blog about Jules Jennings, international student, the main character and narrator of TENDERFOOT. I invite you to meet her for yourself!

Tenderfoot Haikus

Nature's canopy, a picture captures moment, lovely Battle Park


As a reader, I like to be surprised. This was my central thought while writing the blurb, or description for TENDERFOOT.

Yet, as an author, I like to leave clues. And while I won’t be expanding the book’s blurb or openly discuss the plot developments (Ever feel like you’ve seen the movie after you’ve seen the movie’s trailer?), I might pull out the breadcrumbs and put one here, one there.

Why, look! Here are some now…

Folklore retold is
Paranormal fantasy –
College life dawns,
annoying Troll legacy,
Andrew is the one.
New morning sunrise
my heart, hand, and sword –
Jules has them all.
Eighteenth summer,
it starts over again –
This one will resist.

The World of Tenderfoot

The Old Well, UNC-Chapel Hill

When I set out to write the story of Jules, Andrew, and Nick, I had to choose a  setting. Where did their story take place? Was it during a historical period? Were they on another planet? What rules governed their world?

After considering a universe of ideas, I settled on Chapel Hill, NC in the current day. Why Chapel Hill? There are several reasons. First, I live nearby so I had access to do first-hand research. (Never underestimate the fun in first-hand research!) Second, Chapel Hill is a place that is fairly well known because of the academic reputation and athletic records of the University of North Carolina – Chapel Hill. Using a town that is known would allow me as an author to concentrate on the finer points of the setting (like the inside of a dorm) without having to describe the larger setting of Jules’ world because information is easily accessible on the Internet. Besides, Chapel Hill is a wonderful example of a charming town and gown city in the South. I chose current day to add to the readers understanding of the setting and culture.

Setting Jules’ story in a known location in the current day highlights the contrast between the unusual things happening to her and the normal life of her friends on campus. Despite the fact that Jules’ roommate Jade is a cheerleader on a prestigious college cheerleading squad, Jade acts as a control versus Jules. The normal versus the abnormal. The understood versus mystery. The predictable versus the unexpected.

The “normal” setting works to heighten Jules’ fear of being outed as “different.” All she wants is to be normal and fit in. Don’t we all?

To make Jules’ world as accessible as possible, I used real names for campus locations and street names. The businesses off campus are renamed but if you really wanted to know where certain scenes happen, it’s not hard to figure out. It was a thrill to visit Battle Park, adjacent to the campus, and take the photo for the cover of the book. A visit to South Mountains State Park is scheduled in two weeks. I plan to take a slew of photos and video.

I’ll admit I am a fan of Twin Peaks and was excited to visit the Double R Diner in North Bend, Washington and order a slice of cherry pie. This is my way of paying it forward. The next time I’m in Chapel Hill, I may have a beer at “Hilltop” and toast Jules, Andrew, and Nick.

The Bad Guy in Tenderfoot: Who is it?

When I began writing Tenderfoot, I had three characters. Jules – the narrator, Andrew – the love interest, and Nick – the man of mystery. They established their personality traits fairly quickly. Nick’s voice was the most challenging to pin down, in keeping with his ‘difficult’ nature, but with a little work, they had voices. Then I diagrammed the possible relationships between the characters until I settled on the ones Tenderfoot was written around. But that left one question: who was the bad guy?

Since the basis of the story is Jules’ discovery of her paranormal abilities, she couldn’t be the bad guy. Andrew, the athlete who dreams of earning a spot on the Olympic fencing team? Nope, that would be unfair to the readers. What about Nick, the campus rock star who annoys the living daylights out of Jules, a freshman on campus trying to find her bearings? That sounded great! Except for one thing. I, the author, developed a soft spot for Nick and couldn’t pull the trigger. (Whoops! That’s okay, I don’t feel bad about it. Nick has that affect on people.) The position Nick’s character occupied was the natural choice for a villain. With it filled, I was left where I started. Who was the bad guy?

I kept stumbling over this assumption about Nick until I found a way to use it to my advantage in Tenderfoot. Why not Nick? He’s pushy, he crosses lines, and he doesn’t apologize for doing so. But what if he had a reason for his behavior? What if all his actions were tied to one goal? What if that goal had something to do with a… bad guy?

In writing Jules’ story, the bad guy makes a single appearance. Like any good villain, this one, a Backahasten, serves his purpose. He’s menacing, he presents an obstacle to the main characters, and you never know if he’s right around the corner.

The best part about the bad guy? He’s back for Blinded, the sequel to Tenderfoot! I can’t promise the readers will meet him more than once, (although it’s possible since the book is in progress) but I will leave you with this: the bad guy’s story will finally be told.